Prólogo 》
Cover Image 》

Premio Ramiro Lagos, 2019
Presentation
Primer Premio | 1st Prize
Segundo Premio | 2nd Prize

Classroom Comunidades
Mi común-unidad | My Common-Unity 
〉Nelselly Alsina, ’21
〉Emily Cook ’21
 〉Karina Pliego, ’21
〉Kathleen McLaughlin ’21
〉Maggie Strunk ’18
〉Caitlin Grant ’21
〉Michael D’Alessio, ’18
〉 Kristen Somerville, ’18
〉Jaqueline Álvarez, ’20
〉Paola Cadena Pardo (Spanish)

Reflexiones Varias
〉Kate Lenahan, ’19
〉Liam Fidurko, ’22
〉Bailey Holman, ’22
〉Bella Lanna, ’22

Fractured Comunidades
Crónicas de Great Brook Valley
〉Ronan O’Toole, ’19
〉Molly Caulfield, ’18
〉Jordan McLean, ’18

Connecting Comunidades 
〉Mattie Carroll, ’19
〉Sandy DeJesús, ’19
〉Serena Mainiero, ’19
〉Hirám Gandía Torres, ’20
〉Ángel Carrillo, ’19
〉Grace Chacón 
〉Josué López, Education
〉Donald Unger

Reflections on Comunidad 

Voces de la comunidad
〉Elizabeth Murphy, ’19
〉Kristen Somerville, ’19
〉Tesa Danusantoso, ’19
〉Cidre Zhou, ’20
 〉Aitor Bouso Gavín, A Coruña
〉Marina Bibiloni Díaz Toledo, Palma de Mallorca
〉Sarah Thurlow, ’19
 〉Kathleen McLaughlin, ’21

Otras reflexiones
 〉Laura García, ’19
〉Francy Mata, ’19
〉Natalie Crowley, ’21
〉Jules Cashman, ’22

Coda
〉Teresa Murphy ’19

Visual Artes | Artes Visuales

Ana Flores
 〉En la portada | On the Cover
〉Cuba Journal | Un diario cubano

POW! WOW! Worcester Murals
〉Marka 27 (Mexico)
〉Caratoes (Belgium/Hong Kong)
〉Denial (Canada)

Fotos
〉Classroom Comunidades
〉Aitor Bouso Gavín
〉Grace Chacón
〉Courtney Esteves, ’19
〉Great Brook Valley
Agradecimientos | Thanks

Equipo editorial

About us | Sobre nosotros

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Mark
Cuba Journal | Un diario cubano 



Cuban Dancers | Bailadores cubanos, 2004  
Goya cans, wood, paint 
Ana Flores



Cuba Journal | Un diario cubano
 Ana Flores first returned to Cuba in 2002. Forty years had passed since she and her family arrived in the US as political refugees in 1962. The pilgrimage had a profound and defining impact on her sense of identity and vision as an artist. The resulting sculptural installation entitled, Cuba Journal, is multi-layered with political, cultural and personal imagery. Flores has chosen to convey complex themes such as her own family's exile, Cuba's history and Castro's dictatorship in a deceivingly simple folk art style that includes sculptural toys, puppets and furniture. Text, music and video elements are woven into this participatory installation. All of the work is made out of found and recycled materials as a tribute to the creativity and resourcefulness that she witnessed on the island.
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