Cover Image 》

Premio Ramiro Lagos, 2018
Presentation
Primer Premio | 1st Prize
Segundo Premio | 2nd Prize
Premio de traducción | Translation Prize

Hilo 1
Rodrigo Fuentes, Spanish
Estrella Cibreiro and Rodrigo Fuentes, Spanish
Member of the Class of ’19
Elizabeth Hallahan
Samantha Devane
Maegan Moriarty
Ryan Snow
Matt Jambor
Ty Bramer

Hilo 2
Ana Menendez
Cristina Dressel
Kathleen McLaughlin Theresa Gervais
Nina Sparre
Anthony O’Connor
Mary Caulfield
Biorbel Castillo 

Hilo 3 
Rodrigo Hasbún
Elena Miceli
Hiram Gandía
Laura Lares
Alba Mayans

Hilo 4

Paola Cadena
Sarah Christo
Meghan Gregory
Victor Pacheco
Teresa Murphy
Hiram Gandía

Artes Visuales | Visual Arts
Jessica Lagunas 
Megan Viera 
Sarah Baker
Ciro Aprea
Victor Pacheco
Victor Pacheco
Lauren Byrne

Agradecimientos | Thanks

Equipo editorial

About us | Sobre nosotros

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Mark
En la Portada | On the Cover

Upgrade, 2016
Polystyrene, plastic, steel
68” x 76” x 48

The cover image and others throughout the issue are by Victor Pacheco, Visting Lecturer in Visual Arts at Holy Cross. Victor was born in Fajardo, Puerto Rico and raised in Hartford, Connecticut. For his non-profit work teaching painting, photography, printmaking, video, mural painting, design and ceramics earned him a Fellowship from the Connecticut Commission on the Arts and Tourism as well as a Citation from the state of Connecticut for his dedication to the arts and his community. He has received awards and fellowships in Art, including: The Skowhegan School of Painting and Sculpture Fellowship, Rhode Island School of Design Fellowship, National Endowment for the Arts Challenge Grant and a grant from the Art Matters Foundation. Victor has an MFA in Sculpture from The Rhode Island School of Design and is currently living and working in Worcester, MA. Pacheco’s work looks into identity formation from multiple viewpoints, including societal facts, environmental references, cultural identity and community relations. Using research methods such as archival data, informal interviewing, and observations of past and present environments, he produces pieces that seek to inform, repel or attract viewer of art. He promotes viewer participation, involvement, and interaction in the creative process as crucial in shaping, organizing and addressing the realities and identities of Latino and African American communities. The work serves as a portal to discussion and communication about issues relating to the environment, health and culture.



Exhibited at the Worcester Center for Crafts, 2018
Reprinted courtesy of the artist